Arkology

22 July 1999 at 9:00 am (Music, Recordings, Spoken Word) (, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , )

@rkology is a spoken work collective, which melds poetry with music. Our goal is to create a spoken word/music synthesis based in the aesthetic of the jazz ensemble where each instrument, including the voice, enters the ensemble on an equal footing and has an opportunity to lead and shape the resulting sound, creating a multi-sensory experience.  The work originates, variously in concept, work, image and/or sound.  We perform original work, and the work of other writers and musicians, including Nikki Giovanni, Nina Simone and Larry Neal.

The collective was co-founded by members: e.g.bailey (verbalist) Miré Regulus (writer/vocalist), KONA (drums), Dennis Maddix (bass), Mankwe Ndosi (vocalist), ANIKA (vocalist), and Malo Adams (guitar).  Currently performing with the collective are e.g. bailey, Miré Regulus, KONA, Dennis Maddix, Mankwe Ndosi and Tommy Speath.

@rkology was chosen for the City Pages’ Picked to Click Best Local Bands Poll in both 1998 and 1999.

@rkology has performed at Groove Garden Sundays (Cabooze and the 400 bar), Freeloaded Wednesdays the Front, Kieran’s Irish Pub, the Minneapolis Institute for the Arts, Intermedia Arts, Powderhorn Park Neighborhood School, and at First Friday’s—at the Minnesota History Center.  @rkology also recently opened for Roy Ayers. The  group will have upcoming performances at Intermedia Arts  and local venues around town.

‘That said, the five groups listed above each offer intelligent twists on their genres and, most important, share a commitment to simplicity and clarity of vision–be that the elegant authority of Mason Jennings, the poetic abstraction of the spoken-word/jazz collective Arkology, or the unironic teen-rebellion anthems of Selby Tigers.’ – Kate Sullivan (St. Paul Pioneer Press)

‘Arkology, a jazz/soul/spoken-word collective, has really come into its own over the last year…the group’s Nikki Giovanni-meets-Brand New Heavies vibe has attracted more people each time I see them…’ – Rachel Joyce (Walker Art Center)

‘ARKOLOGY is spoken word and a hell of a rhythm section.’ – Jen Downham (KFAI and Groove Garden Records)

e.g. bailey (poet/vocalist) is an actor writer poet and expressionist in many different forms of art.  born in saclepea, liberia, he has lived in the united states since 1979.  he discovered the freedom and power of writing in high school and it has served as a foundation since.  arriving in the twin cities in 1993, he has actively pursued acting and performance, and is a founding member of sirius b, a black male performance collective, with whom he performed in punic wars, at the walker art center, and in monday morning body count, concerning the high rate of homicide among black men, which he created and co-wrote. he is also an original member of spine:, a writer’s collective developed by the loft and the walker art center. spine: produced spoken work performances at several local venues and created a performance at the walker art center titled, spine: stripped bare. in addition , mr. bailey is a spoken word artist who has performed, in solo performances, with musicians, or with the cacophony chorus at many different venues including first avenue, biscuits and blues, bryant lake bowl (for patrick’s cabaret), the walker art center, the fine line music cafe, penumbra, and kfai fresh air radio.  in 1995 mr. bailey was the winner of the hughes knight diop poetry award at the 5th annual black writers conference conducted by the gwendolyn brooks center for creative writing. his poems were published in warpland, a publication by the gwendolyn brooks center.  he recently co-wrote blues for nina, a poetic exploration of the life of nina simone, with miré regulus, and is working on a film residency for the walker art center, coordinated by artist-in-residence, susan robeson.

KONA (percussionist) is a self-taught musician.  He has taught himself different aspects of rhythm through listening.  He currently performs with local psychedelic surf-pop sensation TV Baby and is also working on a project, Locust Solace, with Chris Lynch and Doug Reed, at Gark Recording Studio, as well as being a contributing component of Arkology.  KONA carries the sense that music is a never-ending learning process and envisions himself continuing on the music path that will let listeners move their hips when they hear his music.  He is also learning other instruments.  KONA would like to give thanks and praises to the Most High. Peace.

Dennis James Maddix (bassist) is a native of St. Paul and has been a journeyman bassist since 1980. He has played primarily Jazz, though he has branched out into Blues, Orchestral, Reggae, Pop and Rock musics.  Dennis has worked with the Chimera, Park Square,  Mixed Blood, and Penumbra Theaters as a musician, a tech, and as music director  for “Revisions for the Maid” in Park Square’s 1982 season. Dennis is currently active in the spoken word and music collective ARKOLOGY and in the local band TV BABY.

Mankwe Monika Nkatuati Ndosi (vocalist) is a Minnesota born, Tanzanian spirited performing artist.  Ever aware of inspiration and possibility she is jumping into all kinds of art around the Twin Cities with friends and colleagues @rkology, the Circle of Choice Ensemble, Kirk Washington Jr., René Ford, Derrik Phillips, friends at the double G spot (struggle space), Aarawak Productions, and others who have blessed her footsteps.  She is revisioning and reworking Cornbread, a monthly potluck and improvisational performance/dialogue at Intermedia Arts.  She is currently collecting hubcaps and painting mirrors, saving to return to Tanzania, worshipping the shortwave radio, her cat, and her car, and celebrating the families she has been born into and has become a part of since returning to the town of her birth.  Deepest praise and respect to the ancestors and elders who have brought us here. Sema Yote y Upendo.

Miré Regulus (poet/vocalist) is a writer, dancer, performer and roving arts administrator. She writes, performs, dances with her mind, and takes care of business.  Life, necessity and her heart has led her journey from Illinois to Andover to Brown to the little cities that could.  She has been sited at the Playwright Center, Penumbra, Walker Art Center, Patrick’s Cabaret and the Red Eye in her various adventures. Her works include:  a woman alone with others, performed as a solo piece at Patrick’s and expanded for Red Eye’s Works-in-Progress ’95 series; can you see me clearly, a slipstream into discovery—performed for Patrick’s 11th Anniversary show; jambo through my toes, three bits and pieces performed in Penumbra’s Audre Lorde Sighs Late Nite Series.  She is a member of the Circle of Choice Ensemble, which recently revived June Wilson’s Choice…like ripe fruit in March ’98.  Her most recent works include blues for nina, a poetic exploration of the life of Nina Simone, co-written with e.g. bailey, and jibber jabber headnoise, a work-in-progress.

–to speak is to make it real/to write is to let it live/to enact is to let it go/   /to change it is to choose again

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City Pages’ Artist of the Year: Sirius B

27 December 1995 at 9:00 am (Press, Theatre) (, , , , , , , , , , , , , , , , , , , , , , )

sirius b photo 1 (600pxl)Note: Sirius B was not my first artistic endeavor in the Twin Cities, but it was my first entrée into the artistic community that would later become my home. This ensemble of Black men, all under 25 at the time, mentored by an even stronger group of Black men, included Bro’Sun (Kirk Washington), Baraka de Soleil, Marcus Bracey (Messiah), Jeff Bailey, Meyer Warren (St. Paul Slim), Ahanti Young, Billy X and myself. Our mentors included Ani Sabare (James Bradley), J. Otis Powell!, Rene Ford, Juan Jackson and others. The project, of which we were a part, was produced by Pillsbury House Theatre, Intermedia Arts and the Walker Art Center, and was facilitated by Keith Antar Mason and the Hittite Empire. Many of the artists from Sirius B have gone on to become powerful artists in the Twin Cities and beyond. St. Paul Slim is a stalworth in the Twin Cities hip hop scene; Jeff Bailey, was touring as a jazz musician even back then, continues to expand his horizons; Baraka is in NY making waves in the dance scene there; Messiah is a music producer; Ahanti is one of the most respected young actors in the community; Bro’Sun traveled several times to the Europe with the Hittites, recorded a project with rising jazz vocalist Jose James, and recently created the controversial art project on the North Side with Ernest Bryant; and me, still here, doing my thing.

SIRIUS B
by Caroline Palmer

Representing a panorama of dance, music, theater, poetry, visual artistry and philosophy, the members of Sirius B have pooled their considerable talents to achieve empowerment through collaborative action. In creating a venue to respond to a country which judges by demographic, the group has found one way to give voice to African American men. While October’s Million Man March brought this issue to the national table, collectives like Sirius B hope to inspire a continuing awareness–and change–in their own communities and beyond.

Organized by Keith Antar Mason, cofounder of Los Angeles’s Hittite Empire performance group, Sirius B sprang to life this year through a residency sponsored by Intermedia Arts, Walker Art Center, and Pillsbury House. Its namesake is the companion star to the brilliant Sirius, a celestial body whose appearance every 50 years is celebrated in several African cultures. Sirius B took this reverence for ritual as a starting point in constructing a context for the past, present and future of the African American community. They found profound encouragement not only from Mason and the Hittites, but also local elders who continue to lend their help to this day.

Out of these efforts came a gripping saga performed on the Walker stage. The Punic Wars evoked the rites of passage both endured and engendered by African American men, from the opening montage in the bowels of a slave ship, through the racially biased court system presided over by “Judge Remus Turnus Thomas,” to the climactic chants of “We have to stop killing ourselves” and “No Justice. No Peace. Freedom.”

Mason returned home, but the process he began continues. Sirius B is currently headquartered at Intermedia Arts in Minneapolis, and finished out the year with a residency in Northfield. To quote GambaHondo’s parting words from The Punic Wars, “Rise up Black Man and make what is wrong in this world right…” Sirius B’s work has only just begun.

Caroline Palmer is a Minneapolis writer.

Link to original article: http://www.citypages.com/1995-12-27/news/artists-of-the-year/3

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